Slit-scan distortion, stretched ratios and extreme close-ups, applied to a track that did not need any help being tense. It took the Golden Frog at Camerimage and then the British Society of Cinematographers award four months later.
It won Video of the Year plus cinematography, production design and visual effects at the UK Music Video Awards 2025. Most of the crew did not know who they were shooting for until they arrived.
Charlie Von Rotberg took Best Editing and Zoï Tatopoulos took Best Choreography at the UKMVA 2025. Daniel Landin was nominated for cinematography and did not win, which is worth saying out loud.
Rina Yang was nominated for cinematography at both the UKMVA 2025 and the BSC Awards 2026 for this. It won neither, and it is still one of the most composed things released that year.
